Holly McMahon is a multi-faceted composer, performer, and collaborator based in Ann Arbor, Michigan. Throughout her life, she has worked with countless artists across several mediums, including film, theater, dance, and performance art. Notable collaborations include Bigfoot Steps on Boulder performed by Boulder Symphony and ballets including To Climb a Mountain, commissioned by Front Range Classical Ballet Academy in Fort Collins, Colorado. She recently graduated from The University of Colorado, Boulder with a degree in Composition and a certificate in Music Technology, and is pursuing a Masters Degree in Composition at the University of Michigan. While she is known for her works for solo piano, McMahon is also thoroughly enjoys for absurdist works, which provide unconventional representations of ordinary occurrences. Her compositional style, quite accurately, has been described as atmospheric, energetic, and quirky. Through her work as an artist, McMahon seeks to contribute to experiences which are compassionate and embodied, reminding listeners how beautiful, absurd, and vulnerable it is to be a human engaging with art.

McMahon performs Eight Miniatures at a church in downtown Denver

McMahon uses a mixing board as a synthesizer during a workshop at Neif Norf Summer Festival

McMahon workshops Four Miniatures on Conjunctions with a group of musicians in Knoxville, TN

McMahon, bassist and composer Asher Dobrin, and composer Alan Mackwell pose in front of The TANK Center for Sonic Arts before McMahon’s capstone performance at her residency in Rangely, CO.

McMahon and Asher Dobrin perform in The TANK Center for Sonic Arts

McMahon explains her Suite for Wind Band to composer Kevin Day during a workshop.

McMahon performs Seven Photographs of Earth by Josie Arnett at Arnett’s senior composition recital in Lafayette, CO.

McMahon performs Brazilian Bateria music with the CU Boulder percussion department at their capstone performance in the Fall of 2025.